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An
avid gardener, I don't know whether to weed the flowers beds,
admire the flowers or paint them. Then, of course, there are
the vases of flowers brought inside for daily pleasure as well
as the wildflowers brought back from a trip afield which provide
constant, though fleeting, inspiration.
Tea for Tulips
MEDIUM: Watercolor; IMAGE SIZE: 12"
x 16"; 1998, $600.00 matted and framed These tulips graced the front cover
of one of the many seed catalogs I receive each spring, and the
longer it laid on the table waiting for attention, the more I
realized I was studying that photograph and planning just what
brushes and colors I would use in the watercolor I would create.
I intentionally kept the background vague and loose in shades
of green and neutral tones to complement the brilliant reds,
oranges and yellows and extreme detail in each of the tulips.
The frothy white curtain, minimally worked, rests atop the flowers
as if a spring breeze from the open window has whipped it up
and gracefully placed it there. I had a great time with the rusty
old teapot, completely unsure how to render it in watercolor
without overworking it, but, as often happens while I'm working,
I looked and it was done. Click here or
on the artwork for an enlarged version.
Wildflower Harvest
MEDIUM: Pastel; IMAGE SIZE: 12"
x 10"; 1996, $400.00 It
was one of those moments that completely overtakes methe
ordinary in the extraordinary again. I had gathered these wildflowers
on the way home from work during one of those too-brief, clear
September evenings, warm, but with a creeping chill in the shadows.
Goldenrod and fall asters will always make me stop and pull over,
so I brought some home and placed them in the vase on the table
on my deck. I can see this vase every time I pass my back door,
but it was the one brief period of about ten minutes when the
evening sun angles down onto the deck that I passed the door
and was overwhelmed by the flowers, completely illuminated, the
goldenrod shimmering, the purple asters rich and regal, a perfect
complement to each other, all placed before the deep shadows
of trees. It only lasted a few minutes, and then was gone, and
I am glad to have taken the opportunity to render all the detail
and feeling I could photograph and remember.Click
here or on the artwork for an enlarged version.
Green Apples and Squashes
MEDIUM:
Oil Pastel;
IMAGE SIZE: 12" x 12"; 2000; Commissioned, Sold
I am new to oil
pastelbefore the "Green Apples" they felt like
crayons and I never thought I'd get used to them, being so accustomed
to chalk pastels. But it was the very differences that kept drawing
me backthe brilliance of the colors, the quickness of a
sketch, the ability to create "impasto", or an actual
thickness of the medium on the paper seen most often in oil paintings.
The Granny Smiths were politely piled in their bowl, unaware
that they were providing a great inspiration for me to do my
first still life, and to do it in oil pastel as an experiment.
And so that work came to be. It was purchased, and the woman
who purchased it decided that she would like two paintings for
the spot, identical in size, matting and framing and perhaps
style. We discussed several subjects, but as the summer waned
and she mentioned golds and earth tones, I knew it had to be
squashes. One of my favorite vegetables to grow and to eat, they
were just about ready to harvest, and their colors were perfect
to create a piece to complement the Green Apples. Click here
or on the artwork for an enlarged version of the Green
Apples or the Squashes.
Columbines
MEDIUM:
Watercolor; IMAGE SIZE: 5" x 6"; 1994; NFS Another piece borne of January inspiration
in my seed and flower catalogs, this little bunch of columbines
was so joyful that it stayed with me. One of my favorite flowers,
it si also a favorite of my mother, and this piece actually belongs
to herI gave it to her as a birthday present one year.
Click here or on the artwork for an
enlarged version.
The Garden Gate
MEDIUM: Watercolor; IMAGE SIZE: 5"
x 6"; 1994, Sold For
someone who is a gardener and spends a lot of time in her yardwhat
a special place! If I can't have it in my yard, at least I can
paint it. The arbor sporting ivy, the old azalea crowning the
entrance and the gate, mysteriously left ajar and leading to
a stone path to another part of the garden...I believe this came
from a magazine. Click here or on the artwork
for an enlarged version.
Red Climbers
MEDIUM: Watercolor; IMAGE SIZE: 15"
x 10"; 1995, Sold This
photo reminded me of my mother's climbing red roses which grew
up a trellis on the side of the house. These roses have always
fascinated me because they just keep goingup the fence,
over the fence, down the other side. As a watercolor it was pure
pleasure, with enough color, light and shadow and shape for it
to be interesting. The reflected light near the bottom, especially,
was a joy to study and discover. Click
here or on the artwork for an enlarged version.
Interior with Cat
MEDIUM: Watercolor; IMAGE SIZE: 11"
x 16"; 2000, $350.00 matted and framed
Those calendulas,
which had braved a pretty hard frost, opened fully when the sun
shone in the windows the next day, and that was the first inspiration
for this piece. I photographed the calendula, intending to paint
only them, but when I looked over the photographs in preparation
for painting, I noticed the cloth, the paperwhites in the pot,
the light glare on the table, and of course, the cat. It developed
into a much larger work than I had wanted, but it was a real
challenge to create something from a different perspective than
I usually have. And since I create so many other works involving
my cats, I really tried hard to keep the cat out of it, but it
just wasn't complete until I painted her in. Click
here or on the artwork for an enlarged version.
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